Street plookerhotography.  Those two words have a lot of connotations, and often, it seems to be photos of people standing on the street, maybe checking their phones.  Those photographs don’t do a lot for me.  They are more like record shots, than documentaries of anything going on.  While taking place on the street, they tell a boring story.

And for me, for a street photo to have merit, it has to have a good story.  Even if it’s one that may not be easily deciphered, it has to have one.  Because content is king.  That is what makes a photograph move from the discard pile into the keep pile, for me.

Besides photography, I am a writer and filmmaker, and my film sense is very much small, art-house fare, not Hollywood explosive action flicks.  I like a good story about people, a story that I can relate to.  The simpler the better.  Just don’t be predictable or boring–two of the cardinal sins of storytelling.

Here’s my idea of a storytelling street photo.    Shot with a Rolleiflex.  A little girl sizing up the offerings around the next corner.

I shoot a lot of street photography on a digital Fuji X100, as well as film.  You can see more here: http://kennethwajda.com/kennethwajdastreetphotography.htm

Would love to know your thoughts on street photography.

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Comments
  1. Indeed about Street photography that entered the mainstreem and in most cases says nothing. But beside the story it should be also nice composed.

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  2. kennethwajda says:

    Agree 100%. Good photography and composition are necessary. Though the greater the story, the more you can forgive the technique. See Henri Cartier-Bresson’s photo of the announcement of the assassination of Gandhi. http://votecongress.files.wordpress.com/2010/01/cartier-bresson-nehru-announces.jpg

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