Photography, Time Travel and Forgotten Memories Remembered & Relived

Photography used to be time travel. We took photographs, and then forgot them. That magic roll of film held the memory safe, tucked away in the dark to be revealed and relived at another time.

A trip to the Fotomat was highly anticipated–the roll finished and developed, it offered wonderful surprises, time travel, remembering and reliving moments, the essence of photography.

In this instant digital world, that magic is missing, the distance between creating the photograph and reliving it is non-existent, perhaps why photography feels less fulfilling than it once did. I make a photo, I show it to you, you’ve seen it, I’ve seen it, it’s all done. Nothing left to do but the chore to get it to you, which I may never do, because who cares, you already saw it.

I made a portrait of a woman yesterday for The Wise Photo Project and I made it on a Hasselblad film camera on black and white film. Someone asked me why shoot film, and I said, “If I don’t shoot film, I have nothing to print in my darkroom. I need a negative to create a print by hand, a one-of-a-kind hand-printed silver portrait.”

If her family wants to share it, they’ll have to visit her to see the print–that’s the product of these portrait shoots, a photograph. Framed. For real. Not a swipe left or right. Not an email or a scan. A real photograph to place in her house and have for future generations to keep and always know her face.

She’s looking forward to her portrait. She’ll be very happy when she sees the wonderful image of herself. I’m proud of it and that I had the opportunity to make it.

But she’ll have to wait for it.

Therein lies the magic.

And if you want to see it, well, you won’t find it here. You’ll have to stop over and visit her to see her portrait.

Maybe have a coffee and some conversation, too. Another bonus to creating an actual photograph–time spent together.

What do you want for 2020?

Keith Richards wanted to be in the best blues band in London. He ended up being in the best band in the world!

I want to be the best photographer in Denver with gallery and museum exhibitions of my work, to be an influential teacher and

inspiring speaker on photography, and similarly known around the world!

Dream big, then go to work!

Set your intention. Make goals. Work to deadlines. And you can do anything!

6×6 Photo in Lucie Foundation Analogue Project – Gallery Opening Thursday 4/11, 6-9pm, ROW DTLA

LA Friends: I have a photograph in the Lucie Foundation Analogue Project with a gallery opening Thursday April 11, 6-9pm at ROW DTLA. It’d be great to see you there.

 

www.monthofphotography.com/events-2019/analogue

Nobody Cares What Camera You Use–the Camera Doesn’t Matter

Unless they can see the difference.

Many people cannot see the difference.

So, many people don’t care what camera you use.

The camera doesn’t define you, or make your work.  You do!

You define your work.  Here’s proof.  This photographer shot 100 different cameras, and yet the work all looks similar.  Because it’s not the camera.  It’s the vision.  It’s the person behind the camera.

Photographers tell us as much about themselves as they do the subject they are showing.  For essentially they are saying, “This is what I photographed, this is what I made.  This is what I like, what I value.”

Look at the photos, ideally on a big monitor and hit full screen at lower right.  It’s such a great display.

When I show my street photographs, they are a reflection of what I see and think are storytelling images.  To you, they may mean something entirely different or nothing at all, based on your life experiences, what you like and what you relate with.

We all get to finish the art for ourselves.

At a talk about a book, someone commented to the author their take on what the book meant to them, and the author corrected them, saying that’s not correct.  The person commenting protested, “Who are you to say what it means just because you wrote it?”

Another good collection of photographs is by Jason Lee, who I recently found out about online.  I knew him as an actor from My Name is Earl, but not as a photographer.  He shoots several types of film, from 35mm up to large Polaroids.

 

From the work I see, I’d suggest he’s a romantic, into nostalgia, and maybe a bit of a historian.  He likes things that are incongruous.  The work certainly has a theme.  Many of the images share a similar look–do you agree?

I see a big difference in the look of film versus the look of digital.  And I get lulled at times to just use the Nikon DSLR and a 20mm–I feel I can do anything with that, it’s quick and easy.  It’s always ready to make an image.

Except it can’t make film images.

And what I make–that also defines me.  And you.

This spring, I will be shooting more film than I have been this winter.  Both 120 and 4×5. Because that’s what I like.  That’s something about me.  And you’ll be able to notice that about me in the work.

Or maybe you won’t.  But I will.  And some will.   Regardless, it all comes down to the story I’m telling–what is it I did with that film medium.  Photography is a vehicle to take someone somewhere.

We have to take them somewhere interesting, while revealing a bit about ourselves.

Now Based in Los Angeles and Adding California Wedding & Corporate Photography Clients

Being a freelance photographer has given me the opportunity to travel to states throughout the U.S. for photo shoots.

Though I’m based in Denver, I often shoot in Washington, D.C., Philadelphia, Chicago and now I’m adding Los Angeles, having now set up a second location to base out of in addition to my Colorado studio/office.

Some people don’t like to travel for their work.  I know photographers who don’t like to take their gear on the road.  Not me!  I love meeting people in every state and getting to photograph in various cities.  Different places bring new photo projects, assignments and opportunities.

I’ve been bringing a VIP Portrait studio to companies for award ceremonies, events and company head shots and group shots, and a glamorous Hollywood Wedding Photo Studio to wedding couples as an alternative to the silly-style photo booth.

I couldn’t ask for more.  For the corporate clients, it’s photographs worthy of display in their offices.

For the wedding couple, the joy on their faces when they see their grandparents in a formal photo, it’s almost like something out of the early 1900s, what with the studio lights, set pieces and Victorian furniture.

DON’T ‘LIKE’ THESE PHOTOS!

I don’t create photographs for likes. I make photographs that will still exist in 50 years, long after the swipe is through, through gallery and book projects.

That’s why I shoot on film, and make gallery-quality prints. These aren’t for likes.

I’m looking for two kinds of photographs to make, one for my Roy Stryker Documentary Project (RoyStryker.com) of your family, and the other for my Wise Photo Project photographing our incredible seniors.

ROY STRYKER DOCUMENTARY PROJECT

Last year, I documented a family’s Thanksgiving and was able to create a book of those photographs for them, in addition to adding the photographs to the Roy Stryker Documentary Project.

I also photographed a group of high-school kids at home for lunch for the project. The purpose is to document real life today, not the stylized Instagram-filtered life posing for the camera, but real life.

I will be contacting some of you directly, but I want to photograph an ordinary day in the life of many families, and if yours is interested, you can contact me.

I want:

● A dad playing catch with his son.

● A person at work, especially in a job that has strong visuals or a place most people never get to see.

● A mom driving the kids to school.

● A couple staying home and hanging on the porch on a Friday night.

● A teenager hanging posters in their room.

● Real people doing real things.

Not extraordinary things. Not graduating. A Sunday dinner, not just a holiday dinner.

Bill Owens did a similar project with a classified ad request to local families in the 1970s, and there’s a wonderful book of images from it called, ‘Suburbia‘, with photographs that wouldn’t exist without his effort to document ordinary life at that time.

THE WISE PHOTO PROJECT

The second project, I am creating large-format environmental portraits of seniors, doing something that they love. Like the fisherman. There’s something to a portrait that goes beyond the picture, and becomes a slice or moment of a life. That’s what the Wise Photo Project is all about.

I want:

● A senior playing golf or other activity

● A senior working on a car

● A senior at home reading the newspaper

● A senior engaged in any aspect of their life that defines them.

There’s no cost to you for either project. You’ll receive a copy of the photograph. Both projects are being created for gallery exhibits, and hopefully book projects and museum shows.

This fall, I’ll be traveling across the U.S. and scheduling shoots for both photo projects, so if you are located between Colorado and Pennsylvania, let me know, perhaps I can make a shoot work in your town. And then later into winter, I’ll be working from Colorado to California, so let me know where you’re located.

Photographers make photographs.Please help me if you’re interested in participating by calling 720.982.9237 or emailing info@kennethwajda.com.

 

6×6 Portraits – Scenes with a Rolleiflex