Perusing the local flea market, I passed by hundreds of cordless drills and saws, Carhartt jackets, and a plethora of household items as I scoured the rows of offerings for anything photographic. On one table at the back of the third row, I saw a bin filled with hundreds of 4x5 glass and film negatives.... Continue Reading →
The Love for Heavy Metal: Would You Use a $5 Nikon F2?
I stopped by a thrift store in Loveland Colorado and they had a Nikon F2A with a motor drive for a fiver. Hmm, yeah, I'll take that. They said it's only for display as it doesn't work. (Yeah, right!) Well, let's see. It had no lens. (No problem, I have several.) And no shutter collar.... Continue Reading →
Your Photography, Your Story
I think about what I make for street photographs, street portraits, and documentary photographs and how altogether they add up to my story. They tell you how I see, what I see, and the way I see it. It's a connection for you to my world, places I've been, and people I've met and seen.... Continue Reading →
“Thanks For Choosing Us!”: Making Someone’s Day with a Portrait
Tim Gilbert I enjoy using a camera to meet people as I have written about numerous times. Yesterday was no different. A photographer friend of mine, Tim Gilbert, who is the mastermind behind Stearman Press and the SP-445 developing tank in which you can develop four sheets of 4x5 film, handed me a prototype of... Continue Reading →
Two Ways to Eat a Slice of Pie
Digital photography is holding a slice of pumpkin pie plucked by hand from the pan and scarfing it down over the sink in seconds. It's delicious but it's gone quite quickly. It's a phone photo that's sent out for a glance and a swipe. That's what it's made for, not for long-studied looks. A quick... Continue Reading →
Is Social Media Detrimental to New Photographers?
Andy Adams of FlakPhoto asked recently which social media would photographers choose as an alternative, and which qualities they were looking for in a different platform. And I asked myself a very simple question: "Why would anyone join any in the first place?" It seems like it can only be for one reason—they aren't making... Continue Reading →
My Work Featured in Ilford Film’s Online Magazine
Ilford Film (a UK company that makes black and white film) featured a story about my Longmont Lake Project in their online magazine. I worked for 10 weeks with a Rolleiflex 3.5F loaded with Ilford HP5+ film. We make work to be seen. At least I do. I have heard of photographers who just like... Continue Reading →
Latest Portraits for The Wise Photo Project
Here are a couple of portraits for The Wise Photo Project. The couple's photograph was made with a Graflex Speed Graphic 4x5 on Kodak Tmax film. I am always looking for those moments that reveal a little bit about the subject. The first gentleman's laugh certainly is one. These legacy portraits are created for people... Continue Reading →
I Don’t Make Baby Photos
My dad years ago said I was missing the boat when it comes to making money in photography. "Take baby photos," was his advice. I was working as a photojournalist and still, he said, "Stop trying to reinvent the wheel, go where the money flows: Babies!" (Which always made me think of Rodney Dangerfield in... Continue Reading →
Glass Plate Photography: Glimpse Into the Past, A Snapshot For the Ages
I went to a local garage sale and there were glass negatives for sale, a whole box for $3. For the price of a coffee, I got a collection of 4x5 glass slides that each probably cost the subject a considerable amount of their weekly paycheck to make. Which makes me ask two questions: 1)... Continue Reading →