Archive for the ‘family’ Category

There’s a couple next to me at the bar where I’m sitting–I’m writing at Ted’s Montana Grill in Boulder.  The guy is eating his dinner in silence because his spouse is on her phone. Occasionally he picks his up, too, because he looks bored. But for the most part, he eats alone, one bite of his steak at a time. They are doing things as everyone else, and maintaining the status quo.  Nothing wrong with that, they are like everyone else, consumed by news of someone else rather than the one they’re with.

It reminds me of a podcast by Seth Godin I listened to today about marketing new ideas to people–people who would rather maintain the status quo.  Because people really don’t like change.  It could get better but it could also get worse.  Better to not choose, risk it, and just leave it alone.

So, the woman stares at her phone between bites of her burger.  And the guy eats alone.  Again, nothing wrong–it’s what everyone else is doing.

But jump forward to 2038.  Twenty years.  Then when they’re 20 years older and all that time has passed, will they be glad they spent those dinners in silence? Consumed by the news of the day, other people’s, perhaps friends, maybe just acquaintances.   Time keeps moving, and in this moment, it’s easy to see it as never-ending.  Plenty of time to waste.

Tired of lying in the sunshine staying home to watch the rain.
You are young and life is long and there is time to kill today.
And then one day you find ten years have got behind you.
No one told you when to run, you missed the starting gun.
  ~Pink Floyd, “Time”

Seth Godin talks about sticking to your plan if you have a product or service you believe in, especially if it challenges the status quo.  He says we are in a different world, one where niche-marketing is the new paradigm.  And there are people who are willing to take that risk and try something new.  That’s our audience.

So, that’s where I am with my photography projects, like The Wise Photo Project, where I photograph older family members, often on film.  I’ve recently started offering the photo sessions and photographs for free at senior centers, because it is that impossible to get people to deviate from the status quo: “We never shoot family photos anymore, and nobody we know does, so oh well.  We have phone pics.”
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My Mother, printed and with me in my home.

But I see it differently.  We don’t live forever, and high-quality studio portraits aren’t just for celebrities and to illustrate magazine articles.  They’re family history.  They’re vitally important.  I live with photos of my Mother and Father in my house, on the wall next to me.  My Mother is no longer here, but it’s not a low-resolution phone snap on my computer that I get to have and live with to remember her, but a real portrait that I made, printed and framed–a real photograph.
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I photograph older people because they matter, they’re a big deal, and no one treats them like a big deal.  And no one else is photographing them, so if I don’t, the photographs won’t exist. Made on a 4″x5″ negative.  I brought a print to him for his family.

We have come so far and advanced so much technologically, and somehow art has become “convenience first,” which I don’t quite understand.  Quality can be sub-par, but if it’s easy, we seem to accept that.

I don’t.  Simple as that.
Who said art has to be easy, or that easy art is the best art?

Because Grandpa can look amazing if we add a little quality, and make his portrait with something better than the phone in our pockets.  And 20 years from now, when he’s long gone but we still have that beautiful portrait to remember him by, we will be glad we didn’t worry about maintaining the status quo.

It takes vision.  Just like it takes vision to put the phone down and talk to your spouse at dinner.

I was working last week on a photo shoot for a client in Philadelphia, and I traveled across the country so I could bring a full portrait studio, and also so I could stop in towns across the U.S. and make photographs for my Roy Stryker photo project.

In my travels, I met a couple in a town where I was staying and we were talking about photography and how people don’t make photographs now, just visual notes for likes and swipes.  I gave them my thoughts that it’s important to make family photos and print those photos.

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My brother, Anthony, on Polaroid 600 B&W Film

On this trip, besides my film Leica and my digital cameras–I was working after all–I carried a Polaroid 660 Autofocus camera and some black and white instant 600 film. That way I could make prints right away–immediately–and they’d be ready to display when I returned home. I photographed several members of my family and the couple were interested in seeing them, so I showed them to them.

The woman had a story for me–she told of her family growing up, and how the boys, her two brothers, got all the attention and accolades, and that the photos of herself that were up on the walls and in picture frames in the house, how they made her feel like she belonged, too, while in so many other ways she felt left out.

Photographs matter. Phone snaps aren’t photographs. They’re not really anything other than notes on a life. Glimpses that will never be seen for more than a few seconds, if that long.

So, you can put off making family photographs, but we all get older and we aren’t here forever.

And, like many people, you’ll end up having no artful family photographs.

Or, you could schedule a photo with a photographer.

But really, it can’t be with just anyone.  It has to be with me. Because it’s not the camera. It’s not the software.

There’s no magical camera that takes good photographs.

It’s the photographer.

And if it’s a photo made by anyone else, well, it’s not a Kenneth Wajda photograph.  Simple as that.

See, I’m not easily interchangeable with just any photographer. And, yes, you’ll pay a little more. But you’ll get way more than you paid for!  That’s my promise.  I’m a pro and I guarantee it.

720.982.9237 | KennethWajda.com

I have a dilemma. I love to create photographs, lasting memories, beautiful portraits of people of all ages.

But people don’t commission portraits anymore. 

An occasional high school senior portrait, because those are due.  But the rest of the time, the rest of the family, nah!

We’re living in a time when our phone camera seems to be able to do everything. But as good as it is, it’s not a portrait camera.  A quality portrait can’t be made with its wide angle lens–it’s not flattering for faces.

So, I want to photograph your family.  I do. There’s something so special about documenting the people in your family, and making beautiful portraits of them.

Problem is, I’m an artist, not a salesman.  I don’t know how to persuade people to commission photographs of their family.  Their children at play.  Their teens leaving for college.  Their family over for Sunday dinner.  Portraits of their grandparents or their visits together with them.

I don’t.

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I know how to make photographs. But we live in a time when there are so many photos that we all see everyday, that it seems impossible to get people to even think about bringing me over, camera in hand, to document their family.

They don’t even consider it.  (When was the last time YOU thought of it?)

It’s certainly not like people used to think, to go to photographers for family photographs.  Our families grow up so fast, we blink and we’ve missed it, but we still don’t think to bother getting “real photographs”.  

But it’s so important. I, along with many futurists, believe that many of the digital snaps we’re making today won’t last 20 years, due to failed computers, phones and hard drives.  (Can you even find a photo of your grandma from five years ago that you took on that old phone that’s long been replaced?)

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But the images I shoot will.  (Your great grandchildren would say, “Yes, please get some photos, we want to see you.”)

But I still don’t get those calls. And the kids grow up. The college kids move out.  Family moves too far away for Sunday dinners.  Grandparents pass away. And then it’s too late—the moments have passed. There’s no going back.

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I am not an inexpensive photographer. In fact, I may be the most expensive photographer working locally–my base rate for a portrait session is several hundred dollars. That’s what 30+ years of experience gets you, but really only my commercial clients are paying my rate.

Truth be told, regular people aren’t even calling.  As I said, I don’t think they even think about it like families used to.

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So, I was thinking about how making portraits are so important to me.  If there were a way I could work to make some every day, even if I’m not getting my rate, how fulfilling that would be.

I saw a poet working on the street with a typewriter with a sign that read, “Name a subject, name a price, get a poem.”

So, I got to thinking, maybe it would take working like this for people to bring me in to take some photos.  Maybe the price is prohibitive.  Or at least easily dismissed, considering we all have a camera in our pocket.

“Name a time, name a price, get a photograph.” 

I’ll bring a camera.  You pay what you can.  I get to create.

I get to make that portrait of your grandpa that would not otherwise be made.  It can even be at his senior home–I’ll go to him.

And it can be anywhere in the Front Range of Colorado, Los Angeles or Philadelphia, because I frequently work in all three areas.

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That photograph of your kid and his friends running around the backyard playing ball,  you’ll cherish it because they grow up so fast.

Your family on a local fishing trip.

Your teen with their first car.

You get photographs–both digital images you can share online and real prints that you can frame and live with in your home, because prints matter.  Those are actual photographs.  They are the ones that will last generations, the printed ones.

Then I wondered, would anyone call me?  I have a commercial shoot tomorrow.  But not the next day.  What a great day that would be to shoot some amazing photographs of a family or loved ones.  On an ordinary day, that isn’t really ordinary because everyday is an extraordinary one, to be together, to be alive.

So, I put this to you.  Name a time.  Name a price.  Get a photograph. 

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I’ll bring a camera and shoot a roll of film.  Or maybe 12 frames.  Whatever I decide. (Yes, I’ll shoot film, because that’s what will last, and its look is magical, the images have soul–all the photos on this page were made on film.)

I’ll shoot with my own creativity.  My own ideas, since I’m the artist and you’re not exactly hiring me.

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You can even pay nothing after all is done.  You only pay what you think it’s worth to you.

I will still have gotten to make the photographs, and document the most important people in your life.  And that matters.  (If you don’t want them, I can sell them to your great grandchildren!)

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And it’s not happening now, so why not?  If I make this available, let’s see what happens.  The only thing that can–beautiful family portraits made that will be cherished for generations to come.

Will anyone call?  We’ll find out.

720.982.9237 is my number.   Now it’s up to you to make the call.

I look forward to capturing the light of your family!

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My Dad in a Langhorne Pennsylvania cafe, March 2018.  I have coffee with him every workday morning–when I see him on my desk in a framed photograph.

It makes me sad when I think about how valuable fine art portraiture is, created on medium or large format film, and yet how few people even know what it is, let alone why they would want to order a portrait like this.

The photograph above is a portrait of my Dad, sitting across from me at breakfast table in a small cafe when I went to Pennsylvania for a visit.  This is him sharing time with me.  This photograph means so much to me.  It’s printed on my desk, and I keep him with me and see him everyday when I get to work.

rtI made his portrait on a 1950’s era Rolleiflex 6×6 camera. On Ilford HP5 black and white film.  I know where this photograph will be in 50 years–still in the frame that it is in now, not lost on some old hard-drive or to obsolescence.

To me, this is what photography is–capturing memories and then being able to keep those that matter most to you close to you.  A simple framed photograph does that very well.

But the ease of digital photography has made it so that most people keep all their photographs in file format.  This file of my film portrait of my Dad (from a digital scan of the negative) is stored in my computer.  It’s safe, perhaps, (unless there is a hardware failure) but I cannot experience it as a file everyday like I do a framed print.

There seems to be a need for printing our photographs so the most important people in our world are always with us.  But why print them, most people ask?

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Asking that question is like saying, “Why do we need museums, when we see the images, photographs, paintings, on our iPad or computer?”  Because mobile devices are good for making a traveling photo album, and sharing our photos at lunch with friends.  The problem is they don’t create a “place” for them.  They only create a “glimpse” of them.  But our family members are worth more than a glimpse, they’re worth a permanent place in our world.  Surrounding us.  Enveloping us.

Years ago, I remember going to my Grandpop’s and Grandmom’s house and there were photographs of relatives and family throughout the house–they filled their rooms with family photographs, and these were beautiful, high-quality photographs, both formal portraits, and family snapshots in boxes that were a treat to pick through.

Nowadays, I don’t see photographs at people’s houses.  That’s the part that makes me sad.

box2Some of our parents and grandparents are at the end of their lives, and we’re not creating beautiful, frame-able photographs that we will be able to keep by our side to remember them by, something better than a blurry phone snap.

As a portrait photographer, the only commissions I get nowadays are for business portraits–headshots for LinkedIn and corporate use.  Families aren’t ordering individual portraits.

Where are the good pictures being made?  It’s not in a phone, because a wide-angle lens (as all phones have) is not a flattering lens for portraiture. 

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We are living in a trans-formative time, with technology changing the way we do things at a rapid pace.  But just as things speed up, there is a push to slow down.

There are more people now embracing film photography than there were just a few years ago–because they want something tangible.  Something that they’ve actually created.  They want to slow down the process and create fewer, but more memorable, photographs, and they’re using film to do it.

Just like there is a slow food movement, and record sales are on the rise, there’s an anti-digital component at play.  Everything doesn’t have to be the fastest to be enjoyed.

Playing a record is more time-consuming than programming Pandora, but maybe I like the sound of my turntable, that warm analog sound, and I just want to play one full Led Zeppelin album, not have to choose from among every song ever written.  Maybe I just want to play a record, not program a computer.

A few years back, bookstores were concerned about losing out to digital e-readers and ebook sales, and the truth is they’re still going strong.  Because people like to hold a single book, not every book they own on one small device.  They say on an e-reader, there is a temptation to not read what they’re reading, but instead looking for what else they can be reading since their options are endless.

I charge just under a thousand dollars for a legacy film portrait session for a person and their parent or grandparent.  I am a very experienced artist working with real film and creating large printed and framed portraits.  I believe they are one of the most important portraits I can create, more important than any celebrity photograph.  Because our family is our family–they’re the celebrities of our world.

If you contact me, and mention this article, I will photograph you and your mom or pop, and I’ll make the session rate complimentary.  Of course you have to be within a reasonable travel distance for me, or someplace I regularly get to–Pennsylvania, New Jersey, Washington D.C., Los Angeles or the front range of Colorado.  I just want to see if anyone will do it if cost is not part of the equation.

I’m betting not.

Here’re the photographs of my parents that I get to live with, that are a part of a physical photograph album. That are the memories of who my parents are.  My Mom is no longer with us.  But she’s right here with me in these photographs.

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Today is Father’s Day.  I wonder how many people have a wonderful portrait of their father, one that captures their personality and their light, that one image that will be passed down to great grandchildren to know who their family was, and what they looked like.

If they don’t, well, that’s the part that makes me saddest, and I hope we will see a renewed interest in quality photography and framed prints in the years to come.

The year is 2087.  Your Great Grandchildren of the Future have a message for you:

“WTF?  Really? 

“Thanks a lot for not taking any photos that we can have. With all that new-fangled technology you had back in the early 2000s and 20-teens and your millions of photos a day, we get nothing?  No idea of what you looked like or what your life was like.   Are you going to use that lame “but the computer died” excuse, or “I lost my phone,” or “It’s not my fault that cloud service shut down?”

“Boo-effin-hoo. That was our family history you placed in the hands of some digital storage tech company you had no idea how and where they were putting it or some outdated technology, with no plan for us.   No strategy for your family.

Here’s a crazy idea: Phones are for talking on.  Copying a receipt maybe.  But not family photography!

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“Look, there’s Grandpa’s pic!”

“Why didn’t you print anything? We’d at least have them. Oh, no, you never thought to do that. That would’ve make them permanent, god forbid.  And would’ve cost you a buck, when for free, you could get a stupid ‘Like’.

“Not that many of them were any good, anyway, if that’s any consolation to us now.  Snapping away with a wide-angle lens at arm’s length ain’t exactly the greatest technique for quality photographs.  And wide-angle sucks for portraits–I bet you didn’t know.

“What happened to the professional studio photos? You know, the ones every other generation had, except yours, because you were too damn cheap to hire a photographer. That blurry photo of you and the family with your arm extended–we’re kinda glad that didn’t make it–it hurt to look at anyway, despite how many ‘great pic’ comments you got online from people who looked at it for a fraction of a second in all its blurry splendor. People who wouldn’t know a good photo if it fell from the sky and bit them on the ass, because all they were making were shitty ones themselves.

“In a sense, all your phone snaps were worthless, a waste of time, and now gone. You thought you were doing something, making photographs, and you weren’t.  You accomplished nothing.  You were just wasting your life on fleeting glances into your world that we’d never see.

And you missed Grandma’s and Mom’s weddings because instead of letting the professional photographer shoot it, you had to have your phone up the whole time.  The one time they had a pro, and you still had to keep shooting your stupid, lame crappy photos.

Did you bring snacks to help out the caterer, too?  And flowers for the tables?  No, why, because there was a pro there?  Then why’d you insist on snapping bad pics the whole damn time?

“You missed most of the things in your life by putting that stupid phone up everywhere you went–concerts, your children’s plays, fireworks on the 4th of July–“Hey, let’s get together and watch the video of last year’s fireworks display, said no one ever!”

“We know better now, and we have cameras for photographs.  Actual cameras–can you believe it?  And we print photographs.  Because that’s what a photograph is!  Too bad you never found that out.  Too bad for us.

“All said and done, you shot too many photos, you printed none, and now, thanks to your short-shortsightedness, that whole part of our family history is lost in the glut of shitty frames that are dead in old tech.

Thanks a whole lot!  Way to go!”  [Slow clap]

I work as a professional photographer in Boulder, Colorado, shooting portraits, business headshots, and commercial projects for clients like the U.S. Air National Guard and U.S. Air Force, food and drink for Whitewave/Silk and American Homestead Meats, and event coverage for companies in the cable industry.

On a recent day off, I decided to take a stroll down to the Pearl Street Mall, the local outdoor shopping area in downtown Boulder, and figured I’d build my portraiture client list by photographing people on the mall, getting their email, and offering to send them a photograph. In the email, I asked them if I could add them to my email list where I offer tips to great phone photography (something they’re probably interested in) while promoting my services.

The truth is, while my business clients are regular users of photographs, many people sometimes think to do family portraits or couple portraits, but that’s where it ends, with a thought. They never actually order a portrait session.

OUT ON THE MALL FOR STREET PORTRAITS

On this day off from client work, I took out a Nikon DSLR that is 9 years old, a D90 which debuted in August 2008. Why I brought that instead of my D810 is that I wanted to shoot with a vintage 1970s-era lens, the Nikon 55mm f1.2 non-AI manual focus lens for the soft backgrounds it produces, since I would be working on a crowded outdoor mall, and the information at Nikonians.org about its lens compatibility with my digital bodies says:

NO!
Definitely do not use, for it may damage the camera body. Also, warranty will be void.

That didn’t sound promising. But I was determined. So, I mounted the lens on my backup body, a D7200, and it mounted but it was tight to attach and once attached, the aperture ring wouldn’t budge.  Hmmm.

That mount seemed ridiculously tight. It took a good strong twist to mount it. Definitely not a normal mount. I thought, I’ll do a test with it, and then another one with the old D90 that I had laying around, knowing that at f1.2, I wouldn’t be needing the latest sensor capability for low light performance–I’d be shooting at base ISO (200, in this case) since I was working outside wide open.

The test with the D90 looked as good as the D7200, though it was a 12mp image instead of a 24mp. Good enough for what I was working on. And if it damaged the body, oh well, not much lost since that’s not my go-to camera . (It looks like you can get a D90 these days for under $200.)

So, with that 55mm f1.2 Nikkor S-C extremely securely mounted, I hit the streets.

And then I approached people, folks who looked like they were in a good location to interrupt them. Sitting somewhere, or chatting in the shade. Here’s what I found and created, with the promise to send them each their portrait. psmfamilyBW-kennethwajda
This couple got two images, I liked them as a package. She replied: Thank you so much for the lovely portraits. What a great treat to meet you and let you make these portraits of Pieter and me. Yes, we have been in love since we met in the summer of 1965 in the Netherlands, where we grew up. I will certainly think of you when we need a beautiful family portrait when we are all together in Boulder for a happy family get together. I will also recommend you to our friends. Until we meet again. With warm wishes, Susanna.pearlolder
If I hadn’t made them, would they ever get made? It seems a shame that they might not, and I’m proud to have made them.pearlolder1
This guy was working on the mall. pearl6
These three were sitting in front of an ice cream shop, and looked like a photogenic trio.
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Visiting Boulder from Italy and very flattered to be photographed.
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She tagged me in this Instagram post.

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The ice cream on their faces were what drew me to them.pearl3
Someone was trying to get a photo of them with a phone, when I offered to shoot it for them.
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A couple out on the mall with their dog, who was too old to make it into the photo.
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A dapper man who engaged me in talk of photography.
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A couple of friends out for happy hour drinks.
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A grandpa and his grandson sharing a bit of time watching street performers.
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She wouldn’t hold still long enough to get the three of them in the same plane of focus, so this is the result.familypsm-1-kennethwajdaThey were heartily laughing, which is how I approached them: “I love your laugh.  Can I photograph you?”
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Another guy interested in talking about photography.michaelportrait-kennethwajda
She’s into photography and was talking about my camera, and her interest.
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A daughter and her father sharing a coffee break.

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Two friends cruising the mall, who I asked to photograph them together.
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The only one that I kept in color instead of black and white was a young woman at a local taco joint, while I was waiting for my burrito, who asked about my camera and mentioned that she likes photography. I asked her if I could take her portrait with the light coming through the broad windows of the shop.
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These were all made with a 9-year-old camera body, (a senior citizen of the camera world!), that no one into camera models would take seriously. I took care of that with a small piece of black gaffer tape over the model number. Problem solved!

The people who I photographed loved their portraits. I asked them to please tag me in any social media posts. And of course I included my contact card at the bottom or each of my emails. And now, I have their contact information for my growing list of contacts. These are new contacts to people who have now seen my work, who like my work, who may need anything from family photographs to business images–someone might be the CEO of a company.

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Portraiture is all about the connection to the subject in the image that we create, the emotion we draw out–not just the technical quality of the camera. I wrote this story because I think sometimes we feel we need the latest and greatest, and we really don’t.

It’s really not about the camera. We need something proficient for what we want to create. The D90 is from 2008 and the 55mm f1.2 is from 1972. Good gear matters, but it doesn’t have to be the latest in all cases.

It’s about creating art out of beautiful, wonderful subjects.  And these people certainly are.

Kenneth Wajda is a freelance commercial photographer and film producer in Boulder, Colorado. You can see more of his work at KennethWajda.com.

More people are experiencing the glut of photography. It’s everywhere, it’s instant, it’s disposable, and that’s exactly where it goes–away.

CHILDHOOD MEMORIES
I remember when I was a kid, we had professional portraits made every year, and our family would make family portraits that would line the wall alongside the staircase.

And all my friends, too, there were portraits of each of them and their family members up on the walls. What happened that we don’t value family portraits like that anymore?

SAD TALES OF LOSS
I’ve personally heard several examples in the last few months of people telling me they wished they had photographs that were better than the phone snaps they have of their kid when they were two. Or five or seven. Or in one case, of their grandma when she was 95.

At a recent conference, a manager for a major corporation told me that he didn’t know why they stopped doing family photos, they just haven’t for years.

A couple I was chatting with at a pub told me that in hindsight, they should have printed some of the better photos that they can’t find anymore.

And one person I met while documenting life out on the street said they wished they hadn’t thrown away all their parents slides after they digitized them, because now the disc won’t load and they’re taking it to a computer tech to try to retrieve the images.

The wonderful thing about the phone is you can shoot a million photos.
The terrible thing about the phone is you can shoot a million photos.

A PHOTOGRAPHIC DARK AGE
And those photos are disappearing. Far away.   Into some distant folder buried on some hard drive that people think they are saving them, but have no idea where they go.   Unedited photos that no one wants to go through. There are just too many!

Find me a photo of your grandparent or kid from just five years ago. Good luck.

I find this to be a sad time for photography, because many families are overindulging in low-quality snapshots, and only that. They are being led into a false sense that they’ve got their memories saved, and well-preserved, and that they have quality images.

They really don’t, and they’re not.

I PREFER MY FAMILY DARK AND BLURRY
I see lots of photos that get ‘likes’ on social media. Often they’re poor, blurry, dark, not a keeper in any sense of the word. But there are the likes. Lots of them.  And always the comment, “Great picture of you.” Really, you like to see them dark and out of focus?

It’s like the difference between cheap junk furniture from Wal-Mart versus fine furniture from an artisan woodworker–the photographs we’re choosing are cheap and not very good.   Functional, but low quality.

Many people who saved their photos to CDs or tapes over the last 20 years have had some amount of loss–either some discs won’t load anymore or the tapes don’t play, or they play with degradation through the images.  It’s threatening to become a real digital dark age.

PUTTING IT OFF
I know people who talk about wanting to get portraits made of their kids at every year, then figure they can wait a little bit, then the kid turns four, seven, ten, and then they realize they haven’t made any good portraits of them. I’m seeing this in my business, as people put off scheduling the sessions they used to book. Or if they do, they don’t even want prints, just the digital files.

I’ve actually had clients who’ve scheduled a portrait session, with prints included in the session fee, and they’ve never ordered them. They don’t see the point of a real photograph. I’ve sent them reminders that a print order comes with their photo session. But there’s no response. Nothing. Zero interest.

They see no value in the actual real, physical photographs.

And in five or ten or twenty years–some time in the very near future–those photos, even though they were made by me, a professional, will cease to exist as they get lost in the tidal wave of images. And buried in the sand by the digital undertow with all the rest.

I don’t see how they are ever going to make up for them. In fact, I know the answer. They’re not.

GIMME ALL THE FILES, JUST THE FILES
There are plenty of people who’ve picked up a digital SLR in the past few years and call themselves a photographer, who will shoot your family by a tree for very little money, and give you all the files.  They have no interest in photography as an art medium with a final product–an actual photograph–but only to shoot their camera and get paid for pushing the button.  You could print their photo dark with lines across the faces with an inkjet printer and they couldn’t care less.

The more I discuss this situation, the more I get people nodding in agreement. They concur too many photos is a problem. They say they know the quality is lower than they’d like.  And they admit to having lost a phone and thousands of pictures or knowing someone who has. But do they do anything and book a session?

No, they don’t. Because that I-have-a-phone-I-can-do-it-myself mentality persists.

AMERICA THE (LOOK) RICH
America looks rich, but isn’t. It just looks it. We think we have the best, but we buy the worst as long as it looks okay. That patio set in our backyard from Target, that’ll last a year or two then we’ll throw it away. Everything is disposable. Nothing is built to last. But it’s nice and cheap, and looks good for a little while.

There was a recent article in the Boston Globe where someone asked regarding school photographs, “Why does Picture Day still exist?”   That’s the mentality–that we have our phones and our snaps and they’re good enough.

Maybe I’m nostalgic, but I thought there was something to my folks ordering and framing photographs of us as we were growing up. I liked the way we each had something to remind us we were all vital parts of this family.

WHAT, ME DRESS UP?  ARE YOU KIDDING?
Now, to get people together for a family photograph, to suggest they come in for a formal studio portrait, I’ve had people tell me they can’t be bothered to dress up. They have some from the park they made themselves, and don’t really care about getting them done formally anymore.

I’m a film photographer who shoots legacy photographs on real film and I print photographs on real paper for framing and displaying in a home or other physical space.

I don’t understand the unwillingness to spend to photograph our families well.   Future generations are counting on it, and they will be surely disappointed by the lost pictures and bad snapshots.

Someone must still value the best in quality.  Someone who isn’t put off by the idea of dressing up.

YOUR FAMILY ARE ROCK STARS
If you’re a rock star or movie actor, and you’re being photographed by a professional photographer for a magazine spread, you don’t complain that you can’t wear your sneakers and t-shirt. You want to look your best.  You go to be your best. You dress up and feel your best. You’re a rock star, after all. Everyone knows the performer’s creed: “Look better than the rest of them!”

That’s my goal, to find those that see their families as worth the extra expense for a high-end studio, formal portrait that they will hang in their home, because they see their family as worth it. And that see me as the one photographer, an truly experienced professional, working in a special, unique way–not just another guy with a digital spray and pray camera, but with real film and quality lighting in an actual studio–that will actually preserve that memory and will truly capture them as they are.

With artistry.  And quality as the determining factor, not the cheapest price point as the basis for their decision.

The rest will have to hope to salvage that phone snap for a very long time.