Legendary Photographer and Almost His Rolleiflex Portait

I saw an excellent documentary at the Boulder Int’l Film Festival Saturday afternoon on Life Magazine Photographer Henri Dauman, who photographed so many legends, celebrities and statesmen, including Marilyn Monroe, Andy Warhol, Dennis Hopper, JFK and Jackie Kennedy, Elvis, and countless others. It’s titled “Henri Dauman: Looking Up”, and if you can, see it, it’s good.

Of course I brought a Rolleiflex with me to the screening at the Boulder Theater since Henri started with that camera in the 1950s, and since he was scheduled to be there, I figured I’d use it to make a portrait of him. But as it turned out, at the last minute he had a conflict and couldn’t be there.

Well, after the screening, the producer, Nicole, who’s also his granddaughter, was there and she said she had noticed my Rolleiflex. I said I brought it to photograph Henri. She said, “Take my portrait and send it to him. He’ll love that.” I said ok.

So, I photographed her with the Rolleiflex outside the theater, developed the film and hand-printed the portrait of her in my darkroom, and now I’m sending her portrait to Henri, this master photographer.

I am very honored to be able to offer it to him and have it in his home gallery. And I like the connection the camera had to Henri and how it brought her to me to make the portrait.

As much as I love her portrait, it’s for her and him that I made it, so I’m sending it to them in print form and they can choose whether to share it.

Here’s a photo of Henri with Brigitte Bardot from 1962.

Some Things You Just Do

Some things you do for money

To make a living, to eat, to keep the lights on.

Some things you do for the art of it.

Not everything has to be monetized.

That’s why I make portraits of folks 70+ on Mondays

In my Longmont photo studio at no cost.

Because I can.

Because it’s important.

Because I believe if I share what I’m doing

And why I’m doing it,

Perhaps you also will see the importance.

Maybe you’ll hit the like button.

Even better, maybe you’ll actually contact me.

You might even get some other photographer

To make the portrait.

That’s fine.

Just so long as it gets made.

Either way, wonderful faces live on,

In beautiful portraits.

Printed photos that matter.

Because they matter.

And great-grandchildren will be glad I made them.

The Wise Photo Project is what I call it.

Because preserving family history,

That is the wise thing to do.

 

The photographs that we look back at from the 1960s, 1970s and other past decades, most people didn’t think much of those photos when they were being made. When present day is right in front of us, it’s difficult to see the reason to document it. It’s almost like we’re BLIND to it. “Nothing to see here,” because we see it all day long. But then it’s gone, and we can’t go back and photograph it or the people that matter, because that time and those people are gone, too.

 

So, what are we doing? Photography used to be a way to preserve family history in photographs and albums. It served a long-term purpose.

 

Now it’s a way to share a glimpse for a split-second. It’s up to us to make those split-seconds last longer than that if we expect to be able to go back to the early 2000s, the 2010s and 2020s and relive our history. To travel back to those memories.

 

Print a photo or two. Because no one is going to fire up the hard drive in fifty years to see our work.

 

Make a photograph for your great-great-granddaughter or great grandson.

 

I repeat this often because people tell me that they’re printing after being reminded. So, this is another reminder.

 

Photograph the people and things that you love and print those photographs. Cost is low, value is tremendous.

To the New Year, 2020!

And to all my photographer friends: Here’s to Good Light!

What do you want for 2020?

Keith Richards wanted to be in the best blues band in London. He ended up being in the best band in the world!

I want to be the best photographer in Denver with gallery and museum exhibitions of my work, to be an influential teacher and

inspiring speaker on photography, and similarly known around the world!

Dream big, then go to work!

Set your intention. Make goals. Work to deadlines. And you can do anything!

Why the Instant Reflex to Capture Everything?

Everywhere I go, no matter what the event, the scene, the purpose, as soon as anything happens, it can be a marching band or a person opening a gift, everyone pulls out a phone and starts recording.

Everyone.

Why the instant reflex, the need to capture everything?

Everything.

Is it a natural reflex to get it all? Take it all back with us?

Who is ever going to watch those fireworks from last year’s Fourth of July on their phone again? Or that marching band? Or that person opening those socks?

It happens at weddings to the point where people don’t even experience the event without a device–camera or phone–in front of them. And then there’s the mad rush to post their blurry wedding photos before anyone else. Why?

There’s even a trend to post signs at weddings about it being an unplugged wedding ceremony, asking guests to put away their phones and camera and enjoy the event.

My niece was getting married–I would have welcomed the wait to see the hired photographer’s quality work rather than the multitude of bad photos everyone posted in real time. It’s not like there’s no one there hired to photograph it. Why do we do this?

I think it’s a habit, now it’s a reflex. Something happening=Shoot photos, record!

But at what expense? Do we lose anything by not attending the moment in-person fully.

There’s a beautiful movie called Before Sunrise with Julie Delpy and Ethan Hawke, and after they meet and spend a night walking around Vienna together, they wake up the next morning, in love, and have to part.

Watch this scene. He wants to take her photo, but doesn’t take her picture – it happens at the 1:20 minute mark. “I’m going to take your picture, so I never forget you, or all this.”

There’s something to be said for letting the image sear in our mind and heart, the result of fully experiencing it.

Isn’t there?

Or should we schedule some time to get together to watch these videos and see these photos? Because it hasn’t happened once for me, so far.

The Hard Work of Publishing Four Photo Books: Follow-up

A short while ago, I published this post:

Publishing Four Very Important Photo Books in 2019

Since then, I’ve completed three of the books (one person couldn’t get it together) and they’re on their way. In the process, here’s what I learned.

1. People don’t know where their photos are.
2. They don’t know how to find them when they try searching.
3. They feel overwhelmed with too many to choose from to pick 50.
4. The photo quality is variable, from low-resolution to print-resolution.
5. They’re confused with how to save and export photos.
6. Everything about it is difficult.

 

 

This all fascinates me. We live in a technologically-advanced age and we think more is more, and we have it better than anyone ever did with so many things, photography included, and yet people can’t find their photos when they need to print them.

We really are in an age where photography is enjoyed for a second on a phone–that’s where they’re made for and consumed–and then dismissed.

You would think things would be easier now, with all the photos we’re taking, that they would automatically be instantly available. But that’s the problem with too much of anything, it just accumulates and confuses–“Where do I find the one I want among this glut of images? Those old hard drives? Laptop computers I used to use?”

Does photography as a book or a print on a wall, is that an idea from a bygone era, like the tintype, cabinet cards and daguerreotypes?

The Selfie Generation

I was looking at a young friend’s Facebook page trying to find a photo I had made at  their party, and while I was scrolling through, not finding it, I found dozens of photos like these.  Posed and selfie group shots.

I looked further and found more posed and selfie group shots.  Decently composed, but all the same.

Is that all we are making these days? Has the phone become ubiquitous with selfies and nothing else? I see no photos of their cars, them doing anything, playing a game, talking at a coffee shop, working on a puzzle, nothing.

Just posed selfie group shots or single shots.

I was genuinely surprised, not that there’s anything wrong with selfies, but I was shocked not to find anything else, and wondered if people are shooting them and i just missed it, or is this all there is?

I used to joke with my oldest brother when he had kids, “Do they like to do anything besides standing and smiling in front of things?” Now, I’m thinking that that may be all people are shooting, and the candid photographs have gone by the wayside.

A friend of mine even said she misses all the closed eye photos and other “outs” that are deleted before they’re ever seen.

I sure hope that’s not the case, and there are some unposed photos still being made. To me, the candids are the true storytelling photographs. The ones I most enjoy looking through.