Posts Tagged ‘creativity’

Being both a photographer (documentary/street) and a writer (stand-up comedy/screenplays), I came to the realization that there is a correlation between the two. Because both require something of me. See, I carry a Leica and notebook everywhere I go.

When my parents took photographs when I was growing up, they took them out at Christmas, at the Jersey Shore, at backyard birthday parties. Maybe they pulled out a Kodak Hawkeye or Retina IIIc, then they put the camera away until the next big occasion.

The photofinishers famously said, “Many rolls were snow, sand, snow!”

That’s one way to use a camera–bring it out when you expect to see something “photo-worthy”, though in this phone-crazed world, that’s everything and all the time. I don’t mean shooting your lunch. So, disregarding how most people use phone cameras–more as diaries like where they parked their car, or a pic of a receipt–typically folks use cameras for special occasions.

But I have one in my pocket (IIIf fits nicely with its collapsible lens in my front jeans pocket), or over my shoulder (typically an M2, M6 or M9) all the time. Friends and family wouldn’t recognize me without one.

The difference is I’m not looking for a special occasion. I’m not taking it out to photograph.

My friends might bring a DSLR to a backyard party, but would not usually bother to take photos at Tuesday night dinner. I have my camera at Tuesday’s dinner and every dinner every evening.

Same with my notebook. For when an idea strikes, I can write it down before I forget it. That’s so important. But I think something else is happening when I carry these items. kennethwajda2-1-44Almost like luring the muse, asking for inspiration to find me.

The Leica and the notebook are attractors. Like magnets to metal. They bring the photographs and writing ideas to me.

If I were to leave without a notebook, my subconscious doesn’t have to be on the lookout for ideas. It knows I have no way to record them. But if the notebook is in my pocket, the ideas come. I don’t know how they do, but they do.

If I were to go out without a camera, I don’t have to look for possible photographs. Even peripherally. At the most, all I’ll see are the ones I would have missed, so better to discount everything before really taking a good look, not to get disappointed in not being ready to take the shot.

So, for me, the object, the camera and the notebook are much more than devices for photography and writing. They’re an agreement for my creative, my subconscious, to be watching and listening, because I’m ready and open to their input, their awareness.

I don’t go out to take photographs. Or to write.

But I do. Both.

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A zucchini race at the Boulder Creek Fest, Leica M3, Ilford HP5.

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The obvious winners of the zucchini race at the Boulder Creek Fest, Leica M3, Ilford HP5.

I was reading quotes from famous artists, and one of them said something to the effect: “When I go to the canvas with a preconceived idea, those are usually not as good as the ones where I go with no idea what I will paint, and just paint.”

Effectively, going to the sandbox to play.  Because creativity is play.  Creative activity.  The ability to make something out of nothing.

I’ve been taking that to heart and using it for a photography project.  The idea is I have a model, I have outfits, and I have a camera, but I don’t have a subject in mind to shoot.  I can create anything I want.  And so far, what I’ve created isn’t at all what I would have thought to create.  It’s in the creation that they came to be.

I’m working on the photographs for a book project, so won’t post any here, but there is certainly a way to work, as this old photojournalist has to break his thought process and just get in the sand.  And play.

And play.

Sometimes the first photo doesn’t seem so inspired.  Shoot it anyway.  It may lead to another photo.  And that one may be the inspired one.  The inspiration may come when you stop thinking, stop looking for it.

It’s crazy magical that way, the way it works, the way it manifests.

There’s something to it, when the muse is allowed to play.  Pick up the camera, look through the viewfinder, and shoot something you’ve never shot before.

Create a scene.  Play with light and your subject.  See what you come up with.

I’m using a vintage Mamiya C330S twin-lens reflex medium format film camera, just to add to the process, on a tripod, carefully framing and exposing the negative.

Oh, let the muse play!